New Old Camera – Konica Minolta DiMAGE Z3

So I impulse bought a camera lot recently in an online auction. Initially, I was really bidding on a standard zoom lens for my Canon DSLR, but there were a few other goodies that caught my eye. One such goodie was the Konica Minolta DiMAGE Z3. A mighty 4MP bridge camera from 2004 sporting a real 12X Zoom and Anti-shake – in its time, this must have been an impressive camera.

Loading in some AA’s (4 of them), I was pleased to see it come to life… quickly flashing ‘no memory card’. After a lot of fiddling, I found in its original firmware, this thing was limited to either 512mb or 1GB. I only had a 16MB card (about 5 photos) and several 2GB cards. Fortunately with some web hunting, I found the one and only firmware update it received (which was a big thing in 2004 really) – This allows it to work with 2GB SD cards – Excellent! Successfully updated, I headed down to Devonport on Auckland North Shore for a walk and shoot.

Now, Im a fan of keeping old tech going in general – less to landfill and all that. I have also slowly come to realise that in the digital camera world, though we have progressed so far in technology around sensors, some of the old stuff really is still pretty usable for hobby grade life. Below 4MP is pretty creative stuff (I had a floppy disk camera set a few years back – less than 1MP), but 4MP up – it’s not terrible!…it’s viable. Are all these shots detail rich? – no… but they are not total blurred mess either. Creativity at junk prices can be had! The 35mm zoom equivalent of this thing is 35-420mm F2.8-F4.5 (ASA/ISO is 50-400)- thats a lot of zoom in a large coat pocket. The colour rendering is… nice. I didn’t do much editing at all in these images here – just a boarder, de-haze and for a couple a graduated filter as the sun was harsh and the sky was all over the show (as was the rain) today – old cameras do lack dynamic range for sure! (but so did slide film).

I went in with pretty low expectations.

“I’ll shoot a ‘roll’, pick a few images I like, write a blog post and find it a new custodian as I need to recoup costs and I’ll never touch it again”

Im now not sure I will let this one go just yet. It was a joy to shoot really – having the (very early) EVF and option to turn on to that by default was a pleasure. The camera is full of mode and setting options. The zoom range and all things considered quality of image at full zoom for such an old relic at 4MP really is fantastic. Now I need to make up my spend finances another way. It seems I always have a Minolta in the collection one way or another! (old school Minolta fan here)

These last three shots just show the range of this camera – ‘super macro’ – 1cm from subject. Full wide, and looking central to shot, full zoom (behind dirty glass windows for those two).

Shooting Film

I’ve been slowly whittling down my film camera collection, keeping almost only units which have personal family history to them now. Whilst my fridge stocks of film are not exhausted, they are starting to run slim and at last count, my 120 film outnumbers my almost exhausted 35mm.

Today’s shots were from the last run I had with my Minolta X-570 before I sold it on. It does not have any family ties nor early learning days links. A fabulous manual camera to use. Minolta remains one of my favourite brands of the 60’s -90’s. If they had not been brought out by Sony, I likely would have remained with them into the digital era (assuming they kept up development).

One limiter to film nowadays is simply cost. Whilst I tend to home develop and buy lower end B&W film, it still all adds up. The ‘film feel’or look is real, but then, we digitise it anyway to share nowadays. Removing the pure film finish in a re-digitised master. I used to print my shots too (as in from an enlarger to photo paper in a darkroom) – another great hobby to get into if you have time and space!

On the flip side, film is less convenient, environmentally worse (*though producers like Kodak have some great sustainability and environmental practice in development) and arguably, surpassed in quality potential by modern equipment (35mm – larger 4×5 or 8X10 is a different topic). Once you are all set up on digital, you can operate near cost free. Film, bar perhaps high enders like Leica and Hasselblad, is pretty cheap to enter into, but expensive to shoot and develop. Fire off (and pay to have developed and scanned) 20 rolls of a half decent film stock now days and you are on your way to buying a nice’ish digital base. Dwell in the older used digital era like I now do and the options comparatively could be vast.

But regardless of my rambles, film is not dead. The movie industry has helped keep it alive way more than the revival of the still camera movement. Many films. At 24 frames per second, allowing for re-takes, edits, different cameras for different angles – it puts the conservative modern still film shooter as a blip on the map. So thank you to the film industry for keeping things classic! It will be a sad day when Kodak (in my opinion the only main one left) moves on.

There is something special about slowing down, taking the shot and waiting to see the result. Entirely possible to replicate this in the modern digital age – but most of us lack the patience and willpower to do so… also – if you have taken a bad shot or someone blinked, you can just take another few hundred and chose the best now – that just was not a practical possibility in the film era!

With that, I farewell the Minolta X-570

Away unplugged for 5 nights from tomorrow, so for those who do get email prompts and have been overwhelmed in the last 7 days of activity, I plan to cut back on my return. Perhaps several times a week. Lets wait and see!

Ricoh Singlex TLS

Ricoh TLS GardenJust before Christmas I did a large sell up of my cameras – 35mm film cameras. I was in two minds about it – on one hand, they were all different, unique and cool. On the other hand, I would never use some of them, and they deserved to be used rather than just shelved. I think a number of my SLR’s went to new photography students for school this year – which is great! On top of that, for SLR’s, I also tended towards 50mm prime lenses…how many does one really need? (I guess it depends who you ask).

Without a doubt, I get waves of Gear Acquisition Syndrome, better known as GAS when it comes to cameras. On the positive side, I’ve generally reeled it in to be with old film cameras rather than pocket draining digitals! Selling on I generally break even, so perhaps its just part of the photography way of being for me.

One camera that I didn’t put on the chopping block however was my Ricoh Singlex TLS. My favourite 35mm SLR, the TLS was made in the late 60’s. Featuring a metal and brass construction, this baby weighs in at over 700gm for the body alone! – perhaps just as good for self protection as taking photos!. Joined with its 1.7 50mm Rikenon lens, it captures some beautiful images. Although old, the light meter works precisely (although ideally it ran on the now unavailable 625 mercury batteries), and it rarely gives me a poor exposure measure. Finished in the rarer (I’ve read) black, the years have taken a toll on the TLS – a lot of brassing and the odd minor ding. It all adds to the character. Unlike many film cameras I have had, this one feels really solid and built to last – or at the very least, restorable if it does eventually collapse. Its one of my few remaining 35mm units!

Which brings me onto my last bit…not GAS, but almost. After selling a whole bunch of cameras to ‘minimalise’, I went off and purchased another camera. Have not picked it up yet, but its a Minolta Hi-matic 7s. Similar heft to the TLS, I recall my parents having one (or a 7) of these rangefinders when I was young. Will it replace the TLS?…I ahve room for both I think.

to be continued some time in the future…

 

Lazy Day

Him or Me?

The day before heading off on holiday I posted about almost running into a seal dozing on the rocks. Here it is!

Applying the ‘national geographic’ filter in Gimp has actually highlighted it a little more. Take a few steps back and the seal really blends into the surrounding rock and sandstone.

On the side of lazyness for me, really just lazy on the camera shooting front.  I spent a decent amount of today sorting through parts of my camera collection – choosing what to keep and what to sell. I have amassed quite a bit of old film gear over this last year and a bit (after pledging not to get any digital cameras for 2012). I’m keeping cameras that are either a bit harder to come by, or have some sentimental value to me. I hate things just sitting on the shelf, never being used – better it goes to a new home to be used, like its creator intended!

Anyway, that’s all for today. Its daylight savings for us here in NZ tonight, so an extra hour of sun tomorrow! (well, not really, but that’s what they say…)

Penn an Wlas

Penn an Wlas, better known as Land’s End in UK is my photo for today. Taken in film some years ago, I just got around to scanning it today. Just out of Cornwall, Land’s End is the western most point of the UK. I recall the beautiful scenery of the area, and the high walled jagged cliffs that dropped to the ocean.

I like the noise from the film used and the almost painting like scene that the colours produce. Cropped in Gimp to remove some of the foreground and Sky, the photo was likely taken on my Minolta 700si.

I received another 35mm camera in the post today, an old Russian Zorki 4. I think I will give it a CLA before sticking a film through it, but overall it seems to operate great for a model dated early 60’s. At some stage I will post up a ‘my gear’ page featuring both digital and film cameras I use or intend to use at some stage.

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