Shooting Film

I’ve been slowly whittling down my film camera collection, keeping almost only units which have personal family history to them now. Whilst my fridge stocks of film are not exhausted, they are starting to run slim and at last count, my 120 film outnumbers my almost exhausted 35mm.

Today’s shots were from the last run I had with my Minolta X-570 before I sold it on. It does not have any family ties nor early learning days links. A fabulous manual camera to use. Minolta remains one of my favourite brands of the 60’s -90’s. If they had not been brought out by Sony, I likely would have remained with them into the digital era (assuming they kept up development).

One limiter to film nowadays is simply cost. Whilst I tend to home develop and buy lower end B&W film, it still all adds up. The ‘film feel’or look is real, but then, we digitise it anyway to share nowadays. Removing the pure film finish in a re-digitised master. I used to print my shots too (as in from an enlarger to photo paper in a darkroom) – another great hobby to get into if you have time and space!

On the flip side, film is less convenient, environmentally worse (*though producers like Kodak have some great sustainability and environmental practice in development) and arguably, surpassed in quality potential by modern equipment (35mm – larger 4×5 or 8X10 is a different topic). Once you are all set up on digital, you can operate near cost free. Film, bar perhaps high enders like Leica and Hasselblad, is pretty cheap to enter into, but expensive to shoot and develop. Fire off (and pay to have developed and scanned) 20 rolls of a half decent film stock now days and you are on your way to buying a nice’ish digital base. Dwell in the older used digital era like I now do and the options comparatively could be vast.

But regardless of my rambles, film is not dead. The movie industry has helped keep it alive way more than the revival of the still camera movement. Many films. At 24 frames per second, allowing for re-takes, edits, different cameras for different angles – it puts the conservative modern still film shooter as a blip on the map. So thank you to the film industry for keeping things classic! It will be a sad day when Kodak (in my opinion the only main one left) moves on.

There is something special about slowing down, taking the shot and waiting to see the result. Entirely possible to replicate this in the modern digital age – but most of us lack the patience and willpower to do so… also – if you have taken a bad shot or someone blinked, you can just take another few hundred and chose the best now – that just was not a practical possibility in the film era!

With that, I farewell the Minolta X-570

Away unplugged for 5 nights from tomorrow, so for those who do get email prompts and have been overwhelmed in the last 7 days of activity, I plan to cut back on my return. Perhaps several times a week. Lets wait and see!

Upper CBD by Film

Heading into town with an expired roll of Kodak Gold 100 and the micro size Minox 35GL, I grabbed a few shots. The 35GL is a pure zone focused camera, meaning you select the estimated distance via a dial on the unit – no rangefinder to tell you if you are actually in focus. Particularly challenging and rewarding for wide open shots.

New Plymouth Costal Track – in half a film

0I mentioned over Christmas at New Plymouth that I had brought along an old disposable camera as well as my Sony. Simple, point and shoot with a plastic lens and low cost 35mm colour film. Well, the developing/scans came back. Amazingly all exposures were fine – not great, but thats the lo mo plastic lens way.

Anyway, here is a bit of a visual walk of the coastal track from the mouth of the Waiwhakaiho river, to the Paritutu Rock. The track itself extends beyond the river, but I actually stated half way, walked to the river and then back tracked to the rock – maybe next time I will try and get dropped off at one end or the other rather than the middle! For a bit of an indication of the distance, in the first image you can just see the rock in the far right…at a very poor horizon angle… (or the middle of the second shot)

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