First Walk With A New Old Camera

Stars aligned with an old friend who also shoots and we ventured out to Auckland’s suburb Onehunga to shoot some frames. I took the opportunity to bring along a ‘new’ camera for a test run – the Canon EOS 300D Digital. The 300D was a milestone DSLR on its release in 2003 as the first consumer sub $1000 camera. Sharing many features with the prosumer EOS 10D (some just being locked down in software you can unlock), it sports a mighty 6.3MP APSC sensor and was the first to have the EF-S lens type that ran up until recent years when Canon dropped DSLR’s from future development.

In ways, the 300D is more akin to shooting film… or at least a clear transition stage. You manually select film ISO (only to ASA1600), focus points are limited (I am generally a central and re-frame shooter anyway) and not always super fast. It cannot do live view and the post take preview screen is more an indication the frame was shot than a confirmation all is in focus. Its old and its pretty enjoyable.

The sun was rapidly disapearing beyond sight, so we quickly travelled another few KM down the road to the suburb of NewMarket to get a few final shots in. I shot Onehunga in 100ASA, but moved to 400ASA in New Market and also converted a couple of shots to B&W, just to see how they looked really.

I’ll have a bit of a play shooting RAW some time also to see if there is much more to get from this old digital antique. I got another longer lens with the camera also, so will give that a try in the future when conditions suit.

I need a bit more time with the old beast, but did quite enjoy shooting with it. It’s out of camera jpegs have a certain look and feel of the period. The less than ideal conditions had me shooting fairly wide open (for the supplied lens) and I didn’t quite get all the focus points, but will be interested to see how they look stopped down a little.

First outing – complete.

Shooting Film

I’ve been slowly whittling down my film camera collection, keeping almost only units which have personal family history to them now. Whilst my fridge stocks of film are not exhausted, they are starting to run slim and at last count, my 120 film outnumbers my almost exhausted 35mm.

Today’s shots were from the last run I had with my Minolta X-570 before I sold it on. It does not have any family ties nor early learning days links. A fabulous manual camera to use. Minolta remains one of my favourite brands of the 60’s -90’s. If they had not been brought out by Sony, I likely would have remained with them into the digital era (assuming they kept up development).

One limiter to film nowadays is simply cost. Whilst I tend to home develop and buy lower end B&W film, it still all adds up. The ‘film feel’or look is real, but then, we digitise it anyway to share nowadays. Removing the pure film finish in a re-digitised master. I used to print my shots too (as in from an enlarger to photo paper in a darkroom) – another great hobby to get into if you have time and space!

On the flip side, film is less convenient, environmentally worse (*though producers like Kodak have some great sustainability and environmental practice in development) and arguably, surpassed in quality potential by modern equipment (35mm – larger 4×5 or 8X10 is a different topic). Once you are all set up on digital, you can operate near cost free. Film, bar perhaps high enders like Leica and Hasselblad, is pretty cheap to enter into, but expensive to shoot and develop. Fire off (and pay to have developed and scanned) 20 rolls of a half decent film stock now days and you are on your way to buying a nice’ish digital base. Dwell in the older used digital era like I now do and the options comparatively could be vast.

But regardless of my rambles, film is not dead. The movie industry has helped keep it alive way more than the revival of the still camera movement. Many films. At 24 frames per second, allowing for re-takes, edits, different cameras for different angles – it puts the conservative modern still film shooter as a blip on the map. So thank you to the film industry for keeping things classic! It will be a sad day when Kodak (in my opinion the only main one left) moves on.

There is something special about slowing down, taking the shot and waiting to see the result. Entirely possible to replicate this in the modern digital age – but most of us lack the patience and willpower to do so… also – if you have taken a bad shot or someone blinked, you can just take another few hundred and chose the best now – that just was not a practical possibility in the film era!

With that, I farewell the Minolta X-570

Away unplugged for 5 nights from tomorrow, so for those who do get email prompts and have been overwhelmed in the last 7 days of activity, I plan to cut back on my return. Perhaps several times a week. Lets wait and see!

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