Nga Toki Mate Whenua

painting 2Between bad weather an coming down with another bug, just a quick post today from a recent visit to the Auckland Art Gallery.

Nga Toki Mate Whenua – Axes Felling Trees, Kill the Land
1983
Tony Fomison (1939-1990)

“I became attracted to Maori culture because here was this culture produced in the country – an oral culture based on the love of the land, and love of the old and the young ones. In other words, a past, present and future.”

Tempest

Another piece of art from the Auckland Art Gallery I visited recently.

Painted by Henry Fuseli, Jean-Pierre Simon in 1791, titled Shakespeare: Tempest, Act I, Scene I.

Fuseli’s paintings for Boydell’s Shakespeare Gallery, which opened in London in 1786, proved enormously popular, and a number of engravers produced works from them. When living in Rome the artist had made numerous studies of Michelangelo’s figures in the Sistine Chapel, and the gesture of Prospero in this scene from the Tempest is a direct reference to the Creation of Adam. Mezzotint was particularly successful in depicting dramatic chiaroscuro effects; the darkness of Prospero’s cell contrasts with the light cast by Ariel’s flight, which in turn draws attention to Caliban’s grotesque face. (Monsters and Maidens, 2004)

I love old pieces like this. Imagine being a child in 1791 and gazing upon it. It would be pretty scary. Now days with all our technology for the movies, games etc, imagination can kind of take a bit of a back-burner in peoples minds. Imagining back to 1791, as a child, one may have viewed the image during the day, and reflected back upon it as our candle flickered the shadows in our cool room as we tried to get to sleep. I’m not suggesting that still does not happen, but its a little different…

No signature as I just took the image and cropped to fit (its not my art).

The Five Sages

As mentioned yesterday, I visited the Auckland Art Gallery. It has undergone a massive renovation and expansion, and is in itself a work of art.

I chose today’s image ‘The Five Sages’, as I really liked it above other more modern works. Made by Ashley Bickerton (USA) in 1998.

Nothing but a straight photo of art today, so I didn’t even imprint it with my web signature.

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